高清

荣耀六十年1938

8.5

类型：喜剧地区：美国年份：2021 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：菲比·普莱斯,具子成,瓦伦丁·诺沃波尔斯基

上次更新：2025-02-01 07:00:13

立即播放收藏

正片

剧情介绍

《荣耀六十年1938》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年1938》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

旧时艳阳:刚刚

我看过若干部关于吸血鬼的电影，最经典的还是都说好，我没看出有什么经典的。
难受的湿尾巴:8分钟前

李恩梧极力逃避的那个不完美、愚蠢的自己，却能够被爱人朋友接受。
临渊羡鱼1:分钟前

与传说不同的是，本剧中的梅林不再是白发老者，而是一位初出茅庐的少年，故事将着重讲述年轻的梅林如何认识自己的使命，与亚瑟王子化敌为友拯救魔法世界。
红雨随心:分钟前

与经济领域内的情况所不同的是，文化上的全球化绝不意味着只有一种形式的文化，而是一种既有其共通性同时又有着多元发展方向的文化上的全球性特征。
小二开心就好:8分钟前

原来安妮早已对进入皇宫密谋已久，为的是得到国王的宠爱以得到皇后的位置，全然不顾自己妹妹玛丽早已对国王产生了真感情。
秋赋长风:4小时前

”“没你这么高调”童言把稿子扔给她，“我可不想让老同学听到我主持节目，都能想象的出，他们边听节目边爆笑的样子。
孙大萌爷:7小时前

一天下午，亚当无意间看到对街刚搬来的金发美女在房中裸着身子，这燃起了他的好奇心，决定一探究竟
鎏云qd:4小时前

胡歌陆续的作品都可以成为代表作，身价也是越发红火，但他在如此火热的时刻选择了出国进修，选择了一条能成为更好的自己的路。
二方萌神:7小时前

北京亦庄文化园附近那里有什么好玩的地方吗比如电影院或适合情侣一起去的地方
粽子还是咸的好:1天前

34．试管人魔：与“苍蝇"要反映的主题类似，人类永远不要充当上帝的角色，否则只能作孽！35．异形怪体：经典片，多次重拍，最近一次是1993年，导演斯图尔特戈登。